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A television production of Act IV of The Tempest - the masque scene. Using the devices and effects of television, it aims to represent the sense of magic perhaps perceived by earlier audiences.
Continues the theme of the first ‘Hamlet’ workshop by further examining the relationship between the soliloquies and the dynamic political moments of the play. Director John Russell Brown works on Act II...
The personal father-son relationship between Prince Hal and Henry is examined to see how it illuminates the larger historical issues of the play. Prince Hal is played by Michael Thomas and Henry by Peter...
Looking at the character of Isabella, and focusing on Act II Scene 2, the workshop attempts to show how Isabella is a far more passionate and complex character than the cold and puritanical woman who is...
Continues the examination of Isabella’s character, looking at Act III, Scene i in which she visits her brother Claudio in jail in order to tell him that he must die. Director John Russell-Brown works...
This workshop, based on Act II iii, shows how a group of experienced actors, with relatively little input from a director, set about developing a strategy to preserve the comic tone of the scene, while not...
Professor Frank Kermode, Professor of English at Columbia University, New York City, examines one of Shakespeare’s most prominent concerns - the connection between morality and power - with reference to...
Professor Sandy Cunningham talks about the variety and complexity of the ideas of love and wit as they figure in Twelfth Night. Produced in support of the OU A361 Shakespeare course.
The workshop examines one of the many short, crowded scenes of the play, in which Antony takes his leave of Cleopatra before going into battle with Caesar. Director John Russell-Brown works with James...
A workshop investigating Hamlet’s character. Director John Russell Brown and actor David Yelland work through the various interpretations of the soliloquiess, and examines how they are related to other...
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