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Moby Dick Rehearsed

Synopsis
Version, intended for television, of Welles’ stage production of his play based on Melville’s novel. Filmed for three weeks but filming subsequently abandoned after c75 minutes had been shot. It was performed at the Duke of York’s in London in 1955 and the film starred the original stage cast. Set in a mid-19th century American repertory theatre, the play begins stealthily as the audience arrives with the cast milling around an empty stage. The cast fools around and complains about their boss and the forthcoming production of King Lear which they are rehearsing. Then, making a big dramatic entrance and smoking a cigar, the actor manager comes onstage and tells them they are going not going to rehearse King Lear after all, but another piece, Moby Dick.
Language
English
Country
Great Britain
Medium
Television
Recording date
15 Jul 1955

Credits

Director
Orson Welles
Cinematographer
Hilton Craig
Screenplay
Orson Welles
Cast
Christopher LeeStage manager/2nd Mate/Mr Flask
Gordon JacksonA Young Actor/Ishmael
Joan PlowrightA Young Actress/Pip
Kenneth WilliamsA Very Serious Actor/Elijah and others
Orson WellesActor-manager/Father Mapple/Captain Ahab
Patrick McGoohanSerious actor/Starbuck
Wensley PitheyA Middle-Aged Actor/Stubb

Additional Details

Production type
Television and Radio Drama
Plays
King Lear
Subjects
Drama
Keywords
Shakespeare, William (1564-1616)

Notes

General
`Welles’s minimal stage design was possibly influenced by his long-term friend, Michael Macliammoir, and what he termed "anti-naturalist theater". The stage was bare, the actors appeared in contemporary street clothes, and the props were minimal. For example, brooms were used for oars, and a stick was used for a telescope. The actors provided the action, and the audience’s imagination provided the ocean, costumes, and the whale. In The Fabulous Orson Welles, by Peter Noble, cameraman Hilton Craig reveals, "it was by no means merely a photographed stage-play. On the contrary, it was shot largely in close-ups and looked very impressive on near-completion."[wikipedia, 2/2007].
Reviews
Kenneth Tynan’s review of the stage production is reprinted in Tynan on Theatre (London: Penguin, 1964, pp137-9). Tynan writes ‘Mr Welles clearly sees Ahab as Lear and Pip as a cross-breed of the Fool and Cordelia’.

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