La Bibliothèque du Film’s online exhibition on Italian Neorealism, based on the writings of film historian and critic Pierre Sorlin, features only two film clips but makes up for the lack of moving images with a wealth of other material. Stylishly presented, in a monochrome design, the site is divided into two main sections. Les Films looks at key examples, including The Bicycle Thieves and Rome, Open City, both of which are illustrated with clips, augmented with synopses and analysis. L’Horizon Néoréaliste traces the history of the movement and discusses aspects of production, reception and the tenets of the movement according to its practitioners.