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In 1954, Robert Rauschenberg became the Resident Designer to the Merce Cunningham Dance Company, a position he held for ten years. During that time these friends and collaborators, along with the musician...
Steve Edwards looks at some of the intellectual issues associated with different ways of displaying modern art and some of Tate’s displays. There are also interviews with the curators responsible for...
Two programmes combined on one tape/disc. JASPER JOHNS - Professor Fred Orton looks at ‘Flag’ (1954-1955), the object that established Jasper Johns as one of the most important contemporary artists,...
Video Art emerged in the late 1960s and early 1970s with artists like Bruce Nauman, as part of a counter-culture that opposed both the culture industry and the Fine Art Tradition. This is why Video Art is...
A film examining Picasso’s painting ‘The Crucifixion’ from 1930, a rare rendering of a religious subject by the artist. The painting combines a multitude of allusions and also refers to the deep crisis...
Dr Briony Fer talks about the political aesthetic of film montage and the different approaches that the influential Soviet film-makers. Sergei Eisenstein and Dziga Vertov developed as they invented this new...
Art historian T J Clark interviews Clement Greenberg, well-known art critic, about writing art criticism and opinion on artists. Questions such as what might be the essential qualities that made for great...
Art historian T J Clark interviews Clement Greenberg, the eminent critic of modern art, on the subject of the painter Jackson Pollock. Greenberg speaks of his first meeting with Pollock, Pollock’s early...
Examines the relationship between the revolutionary rhetoric of surrealist literature and the works of Max Ernst, which are not evidently about revolutionary subjects. The essential link lies in the process...
Discusses the abstract art of the Dutch painter Piet Mondrian (1872-1944). Painting is conventionally understood as clinical, calculated art from which all traces of life have been expunged by a process of...
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