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Sonnet 87 read in costume by John Hurt, followed by a discussion of the Sonnet by Dr Nicholas Humphrey. Dr Humphries argues that although the sonnet looks a love poem, it more accurately describes the deep...
A workshop investigating Hamlet’s character. Director John Russell Brown and actor David Yelland work through the various interpretations of the soliloquiess, and examines how they are related to other...
Continues the theme of the first ‘Hamlet’ workshop by further examining the relationship between the soliloquies and the dynamic political moments of the play. Director John Russell Brown works on Act II...
Sonnet 128 read in costume by Roger Rees, followed by a discussion of the sonnet by D. M. Thomas. The sonnet is then performed again in light of the commentary.
Sonnet 127 read in costume by Ben Kingsley, followed by a discussion of the sonnet by Dr A L Rowse who expounds his theory about the identity of the Dark Lady. The sonnet is then performed again in light of...
Sonnet 25 read in costume by Ben Kingsley, followed by a discussion of the sonnet by Dr A L Rowse. The sonnet is then performed again in light of the commentary.
Sonnet 8 read in costume by Jane Lapotaire, followed by a discussion of the sonnet by Martin Best. The sonnet is performed again in light of the commentary.
Sonnet 35 read in costume by Simon Callow, followed by a discussion of the sonnet by Gore Vidal. The sonnet is then performed again in light of the commentary.
Sonnet 107 read in costume by Claire Bloom, followed by a discussion of the sonnet by Sir Roy Strong. The sonnet is then performed again in light of the commentary.
Sonnet 18 read in costume by Ben Kingsley, followed by a discussion of the sonnet by Professor Leslie Fiedler. The sonnet is then performed again in light of the commentary.
Learning on Screen