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Two programmes looking at theatre craft and theatre production. With access to the workshops and wardrobe of the Royal Shakespeare Company, the series follows new productions, including Measure for Measure...
David Hockney talks about his philosophy, life and work, discussing the large narrative painting ‘A Visit with Christopher and Don, Santa Monica Canyon 1984’, one of his 1980s photocollages, and an...
Explores the life and work of Robert Rauschenberg at the time of a major retrospective of his work at the Guggenheim Museum, New York, in 1997. His huge autobiographical work, ‘The 1/4 Mile or 2 Furlong...
Explores the problematic relationship between event, text and performance in Shakespeare’s Henry V. Also focuses on the way war, and images of war, are presented on stage and on film. In five sections: 1)...
The ‘Parlament of Heaven’, the ‘Annunciation’ and the ‘Visitation’: a ceremonious, thoughtful, female-centred sequence in praise of the Virgin Mary and her role in the Incarnation. The medieval...
Allows a user to simulate directing a play. Options include the design of the stage and the placing of props and extras. The user is offered the choice of including ‘actors’ drawn from the characters of...
Since its opening in 1879 the Shakespeare Memorial Theatre, renamed the Royal Shakespeare Theatre in 1961, has won worldwide acclaim for the staging of Shakespeare’s plays. The slides show the developments...
Television documentary shown in the PBS children’s series about artistic creation. Julie Taymor shares a live theatrical production with a young audience, emphasising imagination in the preparation of her...
A series of seven videotapes featuring Edward Petherbridge in discussions and rehearsal work with students, and in excerpts from his one-man stage show. In part six, EDWARD GORDON CRAIG Petherbridge...
One of Garrick’s last great acts of patronage was to employ Philip de Loutherbourg as his principal scenic artist at Drury Lane in 1772. Explores the origins, nature and results of this collaboration,...
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