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Discusses Sean O’Casey’s work from the heightened realism of the Dublin trilogy through a highly individual form of expressionism in the middle period, to the celebratory theatre of the later fantasy plays.
Complete performance of the play with Paul Scofield as Othello and Nicol Williamson as Iago.
Exploration of the stage history and interpretation of The Taming of the Shrew. Includes workshop performances and discussion of some of the central speeches. Contributors include Dr Jonathan Miller, RSC...
In four sections, each consisting of an interview/workshop: Part 1: A survey of the stage history of Shylock, with particular reference to the changing interpretations of the role. With Dr Tom Matheson of...
A personal view of the play presented by Roy Hudd. The series aims to develop a greater understanding and appreciation of the individual plays by placing them in their social and historical context and by...
A personal view of the play presented by Dennis Potter. The series aims to develop a greater understanding and appreciation of the plays by placing them in their social and historical context and by...
Professor Robert Weimann of the Kunst Akademie, East Berlin, surveys the reception of Shakespeare’s plays in continental Europe over the last three centuries. As an example he looks at Hamlet.
Professor Frank Kermode, Professor of English at Columbia University, New York City, examines one of Shakespeare’s most prominent concerns - the connection between morality and power - with reference to...
Professor Sandy Cunningham talks about the variety and complexity of the ideas of love and wit as they figure in Twelfth Night. Produced in support of the OU A361 Shakespeare course.
Dr Harriet Hawkins argues that it is not the resolution of moral dilemmas which is most important in Measure for Measure, but the open questions about sex, morality, psychology and society which are posed...
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