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Starting in the early sixties, Fluxus followed in the footsteps of the Futurist and Dada avant-gardes, going against the established grain of Fine Art and Official Art. Fluxus’ interdisciplinary aesthetic...
A compilation of Oskar Fischinger’s abstract, animated films consisting of MURATTI PRIVAT, WAX EXPERIMENTS, MUNCHEN-BERLIN WANDERUNG, STUDY NO. 5, STUDY NO. 9, STUDY NO. 12, KOMPOSITION IN BLAU, AMERICAN...
Jacobs constructed the film by re-photographing and dissecting a 10-minute short made by Billy Bitzer for Biograph in 1905. The original is shown at the beginning and near the end, and in between Jacobs...
Selections from the series of dance films made by the American avant-garde film-maker Maya Deren in the 1940s and 1950s. It contains Talley Beatty’s A Study in Choreography for the Camera, Frank...
This 1928 adaptation of Edgar Allan Poe’s story is the most well-known and technically accomplished example of the avant-garde school of American film-making which flourished in the 1920s.
LYNCH (one) is a rare glimpse into the mind of David Lynch, one of cinema’s most distinctive directors. Footage was gathered over a two year period and documents Lynch’s many creative interests as well...
MESHES OF THE AFTERNOON 1943 music by Teiji Ito, 1959, b/w, 15’ With Maya Deren and Alexander Hammid. Grand Prix International, avant-garde section, Cannes 1947. AT LAND 1944 silent, b/w, 16’ With Deren,...
This history of the Czech avant garde and independent film movement in the 1920s and 1930s is an in depth look at the work of Vít zslav Nezval, Jaroslav Seifert, Alexander Hackenschmied, Jan Ku era and...
This collection includes 37 films, restored to high-definition, from some of the foremost experimental filmmakers of the 20th century. Commencing in 1920 with Charles Sheeler and Paul Strand’s creative...
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