British Universities Film & Video Council

moving image and sound, knowledge and access

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  1. Conceptual Art in Its Time (1995 Video)

    Subject
    Art
    Distribution
    Sale, Videocassette. Standard formats. col. 45 min., 1996 sale: £40.00 (+VAT +p&p)

    A panel of artists and art historians put a historical perspective on conceptual art. Asks whether conceptual art is something of the past, what was the relationship between conceptual are and women, and how...

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  2. Conceptual Art in Our Time (1995 Video)

    Subject
    Art
    Distribution
    Sale, Videocassette. Standard formats. col. 45 min., 1996 sale: £40.00 (+VAT +p&p)

    Charts the evolution of the artist’s relationship with conceptualism, reflects on some contemporary perspectives, looks at how Polish artists are using conceptualism in a post-communist era and examines...

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  3. Working with Modern Art (1995 Video)

    Producer
    Rosemary Hill
    Subject
    Art; Education
    Distribution
    Sale, Videocassette. Standard formats. col. 60 min., 2001 sale: £54.00 (inclusive)

    Video component of a training pack. In four parts, it examines various ideas current in critical studies in modern art: 1: Discusses Jackson Pollock’s painting ‘Summertime’, with some guidelines on how...

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  4. Psychoanalysis and the Image 2 (1994 Video)

    Subject
    Art; Sociology
    Distribution
    Sale, Videocassette. VHS. col. 60 min., 1995 sale: £40.00 (+VAT +p&p)

    Darian Leader discusses the relationship of psychoanalysis to art with reference to the value we put on art - and why Matisse cried when he saw a film of himself painting. Parveen Adams discusses theories of...

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  5. Art and the Left (1993 Video)

    Producer
    G D Jayalakshmi; Nick Levinson
    Distribution
    Sale, Videocassette. Standard formats. col. 24 min., 1998 sale: £145.00 (+VAT +p&p)

    This programme is structured around interviews conducted in November 1991 by Francis Frascina with artists, critics and museum curators active in resistance to the Vietnam War, and racism in the USA during...

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  6. Greenberg on Art Criticism (1993)

    Producer
    G D Jayalakshmi; Nick Levinson
    Subject
    Art
    Distribution
    Sale, DVD (DVD-R, 25 minutes), £39.99 (CM)

    Art historian T J Clark interviews Clement Greenberg, well-known art critic, about writing art criticism and opinion on artists. Questions such as what might be the essential qualities that made for great...

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  7. Greenberg on Jackson Pollock (1993)

    Producer
    G D Jayalakshmi; Nick Levinson
    Subject
    Art
    Distribution
    Sale, DVD (DVD-R, 25 minutes), £34.99 (CM)

    Art historian T J Clark interviews Clement Greenberg, the eminent critic of modern art, on the subject of the painter Jackson Pollock. Greenberg speaks of his first meeting with Pollock, Pollock’s early...

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  8. Matisse and the Problem of Expression (1993 Video)

    Producer
    Nick Levinson
    Subject
    Art
    Distribution
    Off-air recording licence Sale, Videocassette. Standard formats. col. 24 min., 1998 sale: £145.00 (+VAT +p&p)

    Deals with questions of interpretations, and specifically with the interpretation of expressive content. Focuses on a number of works by Henri Matisse, for whom the expression of feeling was the central...

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  9. Picasso’s Collages 1912-13 (1993 Video)

    Producer
    Nick Levinson
    Subject
    Art
    Distribution
    Off-air recording license Sale, Videocassette. Standard formats. col. 24 min., 1998 sale: £145.00 (+VAT +p&p)

    Two interviews with art historians Patricia Leighten and Rosalind Krauss, who offer different interpretations of Picasso’s collages. Both have argued that their respective methods produce radically...

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  10. T J Clark and Michael Fried in Conversation About Jackson Pollock (1993)

    aka: Jackson Pollock: Tim Clark and Michael Fried in Conversation

    Producer
    G D Jayalakshmi; Nick Levinson
    Subject
    Art
    Distribution
    Sale, DVD (DVD-R, 25 minutes), £34.99 (CM)

    Art historian T J Clark and art critic Michael Fried in the past occupied opposing positions. Clark was the eminent protagonist of the social history of art, structured on a Marxist approach to history which...

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