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Starting in the early sixties, Fluxus followed in the footsteps of the Futurist and Dada avant-gardes, going against the established grain of Fine Art and Official Art. Fluxus’ interdisciplinary aesthetic...
Aboriginal art is both ancient and contemporary. At one time Europeans denied its existence, but now its success is a cultural phenomenon. This programme considers the complex relations of Western art...
Profile of the painter Balthus (Count Balthasar Klossowski de Rola), born in Paris in 1908. Chronicles his life and traces the themes and motifs which recur in his work: young girls, knowing cats, spare...
David Hockney talks about his philosophy, life and work, discussing the large narrative painting ‘A Visit with Christopher and Don, Santa Monica Canyon 1984’, one of his 1980s photocollages, and an...
Shows artists Gilbert and George in their studio as they create a controversial new set of works, ‘The Fundamental Pictures’, which use their own bodily fluids. also follows them in their daily lives and...
Explores the life and work of Robert Rauschenberg at the time of a major retrospective of his work at the Guggenheim Museum, New York, in 1997. His huge autobiographical work, ‘The 1/4 Mile or 2 Furlong...
Contemporaries Jim Dine, Roy Lichtenstein and James Rosenquist reminisce about their experiences with American pop artist Claes Oldenburg. Art dealer Arne Glimcher, museum director Tom Krens and critic...
Jake and Dinos Chapman discuss the motives behind their sexually charged representations of the human body and explain how their work is influenced by the rethinking of human sexuality of the last 20 years.
British artist Howard Hodgkin talks about capturing an emotion into painting and about his use of colour, scale, materials, titles and framing, his choice of themes, the artists he admires, his experience of...
American conceptualist John Baldessari assesses the current status of conceptual art and how it has evolved from its beginnings in the 1960s. He looks at his own practice in terms of imagery and his use of...
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