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A masterclass presentation. Janet Suzman works on Shakespearean comedy with a group of young actors on Much Ado About Nothing, As You Like It, and Twelfth Night.
Exploration of the stage history and interpretation of The Taming of the Shrew. Includes workshop performances and discussion of some of the central speeches. Contributors include Dr Jonathan Miller, RSC...
This workshop, based on Act II iii, shows how a group of experienced actors, with relatively little input from a director, set about developing a strategy to preserve the comic tone of the scene, while not...
Looking at the character of Isabella, and focusing on Act II Scene 2, the workshop attempts to show how Isabella is a far more passionate and complex character than the cold and puritanical woman who is...
Continues the examination of Isabella’s character, looking at Act III, Scene i in which she visits her brother Claudio in jail in order to tell him that he must die. Director John Russell-Brown works...
The workshop examines one of the many short, crowded scenes of the play, in which Antony takes his leave of Cleopatra before going into battle with Caesar. Director John Russell-Brown works with James...
Continuing from KING LEAR: WORKSHOP 1, this programme looks in great detail at Act IV vi - the storm scene - and at Lear’s re-encounter with the blind Gloucester. Director John Russell-Brown and Julian...
The first of two programmes on King Lear supporting the A306 Shakespeare course. Considers how an actor can convey Lear’s madness and at the same time be aware of the ‘reason in madness’ so central to...
The first part (80 min) presents a condensed version of Hamlet acted by members of the National Youth Theatre of Great Britain and presented and linked by Martin Jarvis. Ron Daniels of the Royal Shakespeare...
Documentary. In the summer of 1968, at an invitation from Jean-Louis Barrault, Peter Brook worked for ten weeks with actors from France, Great Britain (chiefly RSC actors), America and Japan. This culminated...
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