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This lecture on A Midsummer Night’s Dream uses modern and early modern understandings of dreams to uncover a play less concerned with marriage and more with sexual desire.
Emma Smith uses evidence of early reception and from more recent productions to discuss the question of whether Katherine is tamed at the end of the play.
This lecture on The Merchant of Venice discusses the ways the play’s personal relationships are shaped by models of financial transaction, using the casket scenes as a central example.
Professor Sir David Hendry, Director of the Programme on Economic Modelling in INET@Oxford, explains the challenges of economic forecasting. Part of a series of short films entitled ‘Big Questions on the...
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