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Ken Russel’s adaptation of the sensual novel by DH Lawrence starring Paul McGann, Glenda Jackson and Sammi Davis.
An alternative view of Lawrence and his art. Originally funded as a contribution to the Lawrence Centenary Year (1985) the video investigates the specific case of Lawrence but also indicates the wider issues...
Professor Draper examines the imagery, the language, structure, word patterns and symbolism of Lawrence’s poems.
Opens with views of the Lawrence country shot from the top of Eastwood parish church tower and by using still and moving pictures offers a commentary on the importance of place and local culture in the mind...
Side 2: Considers the novel as a pattern of symbols and scores which carry the story forward and give poetic form. Argues that the use of symbols and language of the Christian church are intrinsic to the novel.
An introduction to the origins and early life of D H Lawrence, using extracts from his writings together with contemporary and dramatised illustrations.
Side 2: Suggests that as in a ‘bildungsroman’ Lawrence writes of a young man learning about himself. The Paul-Miriam-Clara-Dawes relationship is discussed suggesting to the speakers an analogy with that...
One of a series of audiotaped discussions which show literary criticism as a living, evolving interchange. This discussion is between I. Gregor and M Kinkead-Weekes of the University of Kent.
One of a series of audiotaped discussions which show literary criticism as a living, evolving interchange. This discussion is between G. Salgado of Exeter University and J. Hernstedt of Sussex University
Ken Russell’s adaptation of the classic novel by DH Lawrence starring Glenda Jackson, Alan Bates and Oliver Reed.
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