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Former British commercial photographer Jo Spence presents the photographs in her ‘family snapshot album’ and questions how and why women value images of themselves.
Using the life of Ella Baker as a connecting thread, traces the history of the US civil rights movement from the 1940s to the 1960s. Ella Baker’s political career was intertwined with most of the events of...
New version (1991): STILL KILLING US SOFTLY Takes advertisements from magazines, newspapers, record covers and shopfront windows to present specific examples of the ways in which advertisements reinforce...
Using filmed interviews and newsreel footage, constructs a picture of the women’s movement since 1968 as seen through the eyes of six feminists: Ti Grace Atkinson, Kate Millett, Betty Friedan, Rita Mae...
A documentary about women’s employment, showing footage of women at work together, together with archive material on women’s struggles for equality. Promotes the positive values of women as part of the...
A compilation of the short, experimental films of Maya Deren. Includes MESHES OF THE AFTERNOON (1943), AT LAND (1944), A STUDY IN CHOREOGRAPHY FOR CAMERA (1945), RITUAL IN TRANSFIGURED TIME (1946) and...
In this film Maya Deren sought to represent the philosophical attitudes behind several closely-related forms of martial art. The film consists entirely of sequences of a Chinese boxer demonstrating the...
Maya Deren weaves together her interest in dance with the exploration of myth and symbol. Dance becomes a metaphor for courtship and sexual union from which ‘the widow’ flees at the end of the film,...
Maya Deren combines film and dance, collaborating with dancer Talley Beatty to make a ‘film-dance’.
A trance-like film tracing the conflict between a woman and her environment. At the start of the film the woman (played by Maya Deren) is washed up on a beach and then goes on an anxious odyssey through a...
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