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Professor T J Clark examines the possible meanings of two notorious paintings by Manet: ‘Olympia’ (1863) and the ‘Bar at the Folies Bergère’ (1881-2). Using contemporary criticism as evidence,...
Deals with questions of interpretations, and specifically with the interpretation of expressive content. Focuses on a number of works by Henri Matisse, for whom the expression of feeling was the central...
Presented by three art historians, all experts on different aspects of 19th-century French art and urbanism. Each displays a particular art historical methodology: that’s the point. Francis Frascina...
Discusses Claude Monet’s ‘Waterlilies’ in terms of the painting itself, the painter, and a palette of colour: pigment, composition and light effects. In his garden at Giverny, Monet created a gigantic...
Discusses Georges Seurat’s ‘A Sunday on La Grande Fayette 1884’ (1886) in terms of the painting itself, the painter, and a palette of colour: pigment, composition and light effects. The painting caused...
An explanation of Impressionism and post-Impressionism based on discussion of some of the most important paintings in the Courtauld Collection.
The early drawings and oil paintings of Georges Seurat (1859-1891) explored the qualities of materials and light. From his studies of colour and perception he developed his theory of divisionism and the...
Study of techniques of the Impressionists Manet, Renoir, Seurat, Degas, Toulouse-Lautrec, Pissarro, Gauguin and Van Gogh.
This series, presented by Tim Marlow, looks at the work of eight painters: Manet, Monet, Renoir, Degas, Toulouse-Lautrec, Cezanne, Gauguin and Van Gogh. Marlow considers the movement’s aesthetic revolution...
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