Film Montage: The Projection of Modernity

Synopsis: Dr Briony Fer talks about the political aesthetic of film montage and the different approaches that the influential Soviet film-makers. Sergei Eisenstein and Dziga Vertov developed as they invented this new visual language of mass communication. Using material from ‘Strike’ and ‘October’ Eisenstein’s approach to dramatised documentary is contrasted with Vertov’s purer mechanical vision in ‘Man with a Movie Camera’. Their shared emphasis on modernity and the city is compared with the formalistic approach taken by their ‘capitalist’ contemporary Walter Ruttman in ‘Berlin: Symphony of a Great City’.
Series: Art of the Twentieth Century, Course Aa318
Language: English
Country: Great Britain
Year of production: 1993
Availability: Out of distribution
Notes: Combined on one tape/DVD with MARCEL DUCHAMP:THE LARGE GLASS AND READYMADES.
Previously part of couse A316, Modern art: practices and debates
Subjects: Media studies
Keywords: aesthetics; art - modern art; documentary films; film and video production techniques; Modernism

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British Universities Film & Video Council