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Until the 1990s, the majority of British TV was shot on video in the studio, with film used only for exterior sequences. What impact did physical space have on both changing modes of production and...
On 22 February 2017, we held ‘Television Drama: Archives, Access and Research’ in collaboration with the BFI and Royal Holloway, University of London. The conference, held at the BFI Southbank, brought...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...
[caption id="attachment_324" align="alignleft" width="300" caption="David Hare in conversation. Image courtesy Museo Reina Sofia "][/caption] David Hare’s Page Eight, which premiered at the Edinburgh...
Following on from Ieuan Franklin's excellent blog which discussed such mind-bendingly psychedelic Films on Four as Born of Fire (Jamil Dehlavi, 1987), Shadey (Phillip Saville, 1987) and Silent Scream (David...
Learning on Screen