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James Hoyle from British Pathé introduces the iconic company’s exciting new on demand platform, catering for academics and students of the humanities. This year marks the exciting return of British...
Dr Richard Wallace, University of Warwick, casts the lens on an AHRC-funded project examining the history of cinema projection and the switch to digital. About the Author: Dr Richard Wallace is a Research...
Stephen Engelhard is the founder of Angel Productions, and produces and directs its videos for universities. He explains how The PhD Survival Video was produced. About the author: Stephen Engelhard has a...
Festival du Film Britannique de Dinard, 6-10 October 2010 My first day at the 21st British film festival enabled me to catch a film part-funded by Film4 which won the special jury prize here two years...
The advent of Open Education Resources (OERs) has seen a significant change in higher education practice. Professor Martin Weller tracks its development and previews his forthcoming OER Research Hub...
Until the 1990s, the majority of British TV was shot on video in the studio, with film used only for exterior sequences. What impact did physical space have on both changing modes of production and...
Learning on Screen’s Schools Membership and Support Officer Lincia Daniel explores how teachers are taking advantage of a range of digital resources to make learning fun and effective. The film Wall...
Frazer Ash, Digital Transfer Manager for Learning on Screen, reports on our off-air digitisation project and the valuable archive television content that will be made available in BoB. With over 1 million...
We spoke to Truro and Penwith College and the Manchester Film School about their different approaches to teaching filmmaking at FE level, and the success their methods are having. In recent years, some of...
A Licence to be Different: The Story of Channel 4 by Maggie Brown (BFI Publishing, October 2007), 368 pages, ISBN: 9781844572052 (paperback), £16.99; ISBN: 978-1844572045 (hardback), £50.00 Channel 4: The...