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Colour Films in Britain: The Negotiation of Innovation, 1900-55 By Sarah Street, with a Technical Appendix by Simon Brown (BFI/Palgrave Macmillan, 26 October 2012), 320 pages. ISBN: 978-1844573134...
Makers | Our Story is a new documentary about the film business. The production team describes what motivated them and provide insight for those inspired to follow in their footsteps. ...
Edited by Laura Rascaroli and John David Rhodes (British Film Institute / Palgrave MacMillan, 2011), 326 pages, ISBN: 978-1-844573844 (paperback). Price: £ 18.99 About the Author: Giulia Baso is a PhD...
The romance of war films - Jennifer Leigh Williamson from Nomad Cinema explains the themes behind their recent screenings at the Imperial War Museum, and explores why audiences still find war films so...
Until the 1990s, the majority of British TV was shot on video in the studio, with film used only for exterior sequences. What impact did physical space have on both changing modes of production and...
Learning on Screen’s Schools Membership and Support Officer Lincia Daniel explores how teachers are taking advantage of a range of digital resources to make learning fun and effective. The film Wall...
Just how prevalent is the use of radio material as an archival primary source and in teaching? Dr. Ieuan Franklin presents new research undertaken by Bournemouth University to gauge the level of academic...
Anne Frank Unbound: Media, Imagination, Memory Edited by Barbara Kirshenblatt-Gimblett & Jeffrey Shandler (Indiana University Press, November 2012), 448 pages ISBN: 978-0253007391 (paperback),...
Students at the College of West Anglia have been using SpringboardTV, an award-winning online community broadcasting resource. Course Director Anthony Barnett and some of his students outline the project’s...
What is the London Broadcasting Company / Independent Radio News [LBC/IRN] Project? The project is funded by the Joint Information Systems Committee [JISC] digitisation programme and managed by The Media...
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