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Dr James Jordan, University of Southampton, examines the restoration of the allied liberation documentary German Concentration Camps Factual Survey and explains its importance to contemporary Holocaust...
The round-up of film and television publications compiled by Simon Baker, Institute of Historical Research and published at Learning on Screen by Jose de Esteban. Our Spring highlights include two special...
What information do the membership forms contain? These are ‘Application for Membership’ forms which mean they record information about individuals at the point at which they applied to join the...
The Women’s Work research project recorded twenty-five interviews with women from a variety of roles across the film and television industries. We selected women in below-the-line roles where few other...
Priority Areas The Women’s Work research project prioritised women in roles where there were few existing archival resources or which had yet to be written into media history. Recruitment: We placed...
On 22 February 2017, we held ‘Television Drama: Archives, Access and Research’ in collaboration with the BFI and Royal Holloway, University of London. The conference, held at the BFI Southbank, brought...
Dr Louise Gentle, Nottingham Trent University, examines James Hill’s classic Born Free and its enduring influence on the teaching of higher education wildlife conservation. About the Author: Dr Louise...
Learning on Screen has just published the second edition of our Audiovisual Citation Guidelines, following the launch of the new guidelines at our members’ day in December 2017. At the event, a...
The monthly round-up of film and television publications compiled by Simon Baker, Institute of Historical Research and published at Learning on Screen by Jose de Esteban. We say goodbye to 2017 with these...
Live Cinema and its Techniques by Francis Ford Coppola, (Liveright Publishing, 2017), 192 pages, ISBN: 978-1631494543 (paperback), £13.99 About the reviewer: John Wyver is a writer and producer with...