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A specially recorded performance of As You Like It as part of the OU A210 Approaching Shakespeare course. No further details known (12/2008).
Dr Harriet Hawkins argues that it is not the resolution of moral dilemmas which is most important in Measure for Measure, but the open questions about sex, morality, psychology and society which are posed...
A production of Antony and Cleopatra supporting the Open University AA306 Shakespeare: Text and Performance course. Recorded in 1999, with Michael Pennington, Lindsay Duncan and Bill Paterson.
Professor Sandy Cunningham talks about the variety and complexity of the ideas of love and wit as they figure in Twelfth Night. Produced in support of the OU A361 Shakespeare course.
Professor Frank Kermode, Professor of English at Columbia University, New York City, examines one of Shakespeare’s most prominent concerns - the connection between morality and power - with reference to...
Cicely Palser Havely talks to Glenda Jackson, who describes her approach to playing Cleopatra in Peter Brook’s 1979 Royal Shakespeare Company production of Antony and Cleopatra. Produced for the A361...
A specially recorded performance of Henry V. No further details known (12/2008).
A workshop investigating Hamlet’s character. Director John Russell Brown and actor David Yelland work through the various interpretations of the soliloquiess, and examines how they are related to other...
Programme in the Open University Culture and Belief in Europe 1450-1600 course. Using extracts from two different productions actors Jeremy Irons and Michael Cronin, and director David Giles, discuss how the...
A performance of King Lear, which was produced for the Open University in 1998, with Frances Barber, David Morrissey and Philip Madoc.
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