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The pre-recorded programmes in this series combine academic criticism and actors’ rehearsals of key scenes and speeches. The scenes rehearsed on the second side of the tapes are directed by John Russell...
A. R. Humphreys, University of Leicester, and Anthony Nuttall, University of Sussex, discuss the character of Coriolanus and the play’s concept of nobility. Side 2 comprises readings by Robert Hardy,...
David Daiches, University of Sussex, and L C Knights, University of Cambridge, discuss several interpretations of the play. Against this background of critical disagreement they consider central characters,...
R A Foakes, University of Kent, and Kenneth Muir, University of Liverpool, discuss approaches to the Othello, which is often regarded as a domestic tragedy, different in nature from the other great...
David Daiches, University of Sussex, and L C Knights, University of Cambridge, discuss the play. Hamlet, more than any other play, has produced many and divergent interpretations. The speakers consider the...
Live sound recording of the Royal Shakespeare Company’s 1972 production of The Merchant of Venice directed by Terry Hands. Emrys James is Shylock.
Live sound recording of Ronald Eyre’s 1971 production of Much Ado About Nothing for the Royal Shakespeare Company with Elizabeth Spriggs as Beatrice and Derek Godfrey as Benedick.
A video recording, using a single, fixed camera, of the Royal Shakespeare Company’s 2001 touring production of King John. Directed by Gregory Doran with Guy Henry as King John.
A video recording, using a single, fixed camera of the Royal Shakespeare Company’s 2002 production of The Merry Wives of Windsor. Directed by Rachel Kavanaugh with Richard Cordery as Falstaff.
Video recording, using a single, fixed camera, of the Royal Shakespeare Company’s 2001 production of Twelfth Night. Directed by Lindsay Posner with Guy Henry as Malvolio and Zoe Waites as Viola.
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