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The Imperial War Museum’s Student Film Festival, to be renamed the 'IWM Short Film Festival', will return in 2014 after the IWM's closure for major refurbishment. Toby Haggith, Senior Curator in the...
Dr Lee Campbell, University of Lincoln, explores the potential of mobile technology to produce an immersive and participatory cinema experience. About the Author: Dr Lee Campbell, Lecturer in Fine Art at...
Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age Edited by Edward Lamberti (foreword by Mark Kermode) (BFI/Palgrave Macmillan, 23 Nov 2012), 256 pages ISBN:...
1968 saw the release of Her Private Hell, a low budget British feature that has now been given a new lease of life on video as part of the BFI Flipside series of releases rescuing obscure movies from...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...
As part of the British Library’s commitment to delivering a multimedia research environment, they are exploring the potential of speech-to-text technologies for finding non-textual content. Luke...
The Kinonedelja - Online Edition in the Austrian Film Museum brings together the earliest work of Russian film director and theoretician Dziga Vertov. We provide a guide to the Museum’s Vertov collection,...
Just how prevalent is the use of radio material as an archival primary source and in teaching? Dr. Ieuan Franklin presents new research undertaken by Bournemouth University to gauge the level of academic...
In the wake of the interest around Film4 productions such as Richard Ayoade’s Submarine and Joe Cornish’s Attack the Block, a recent Guardian article by Jane Graham identifies what she sees as a...
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