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To celebrate the thirtieth anniversary of the launch of Channel 4, in November the University of Portsmouth held a two-day conference dedicated to the output of the UK’s fourth terrestrial TV channel. Dr...
Do you have memories of going to the cinema in Britain in the 1960s? If so, then the team running an AHRC-funded research project at University College London would love to hear from you. Here the...
Festival du Film Britannique de Dinard, 6-10 October 2010 My first day at the 21st British film festival enabled me to catch a film part-funded by Film4 which won the special jury prize here two years...
On 22 February 2017, we held ‘Television Drama: Archives, Access and Research’ in collaboration with the BFI and Royal Holloway, University of London. The conference, held at the BFI Southbank, brought...
To celebrate the publication of the 100th issue of Viewfinder, the BUFVC’s quarterly print publication, Olwen Terris, the BUFVC’s Information Officer, takes a look at the long history of the publication....
What role does European film and television drama play in constructing our sense of European identity? The Mediating Cultural Encounters through European Screens (MeCETES) project seeks to find out, as...
The British Board of Film Classification celebrates its centenary this year. But what can the organisation learn from the past, and how does history inform its current business and commitment to education...
Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy. Sarita Malik, with Caroline Chapain and Roberta Comunian, discusses an AHRC funded project that has opened up a range of...
JS: Aside from your established track record in television, you’d done a stint as Head of the BFI Production Board in the late 1970s. Was film always a personal passion? What were your reasons for...
[caption id="attachment_324" align="alignleft" width="300" caption="David Hare in conversation. Image courtesy Museo Reina Sofia "][/caption] David Hare’s Page Eight, which premiered at the Edinburgh...
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